Description
This album was looked at under strong light and then spot checked (played on a turntable) It was thoroughly cleaned with an Ultrasonic Record Cleaner and other products to greatly improve the audio quality. The LP is placed in a brand new inner sleeve and outer sleeve and shipped in a sturdy LP mailer for protection. Tracking provided and quick dispatch.
Label: Marmalade - 643 314
Country: UK Pressing
Released: 1969
Genre: Jazz, Rock, Blues, Folk, World, & Country
Style: Pop Rock, Jazz-Rock, Psychedelic Rock
Condition (spot checked)
Cover Condition: Very Good. Some type of sticker which is probably best left on, some light wear to the spine otherwise very tidy.
Record Condition: Very Good+ Some light superficial marks, this plays through beautifully and sounds great!
Tracklist
A1 Julie Driscoll, Brian Auger & The Trinity Let The Sunshine In 3:05
A2 Blossom Toes Kiss Of Confusion 4:44
A3 Gordon Jackson The Journey 4:51
A4 Ottilie Patterson Bitterness Of Death 4:44
A5 Chris Barber Battersea Rain Dance 2:10
B1 Brian Auger & The Trinity Tropic Of Capricorn 5:30
B2 John McLaughlin Pete The Poet 5:00
B3 Julie Driscoll A Word About Colour 1:35
B4 Le Lievre (The Hare)* Dis-Toi-Bien 4:43
B5 Graham Gouldman The Late Mr Late 3:00
B6 Kevin Godley To Fly Away 2:40
Record Grading Guide
Mint (M): We don't sell new records, so this grade is not used.
Near Mint (NM) or (M-): Virtually flawless vinyl with minimal scuffs that are barely visible. Should play without noise, and flaws are hard to detect. The cover looks nearly perfect with minor signs of wear or age. Minor impressions from the vinyl's outer edge may be acceptable, but the artwork remains close to perfect.
Excellent (EX): Minor scuffs that are slightly visible but no visible scratches or finger-feelable marks. Minimal surface noise is acceptable in a few areas, as long as it's not constant. The cover retains its artwork close to perfection, with some minor outer ring wear impressions and slight corner creases. No seam splits, writing, or taped repairs allowed. (An EX+ is even better than EX).
Very Good Plus (VG+): Records show wear and surface scuffs, with noticeable flaws. Flaws are visible but don't cause constant surface noise. Vinyl may have surface noise in some areas, as long as it doesn't disrupt the listening experience. The cover is generally clean but may have small writing. Slight aging is noticeable, with minimal wear to seams and corners. A VG+ cover should have no more than three mentioned flaws. (An EX- is slightly better than VG+).
Very Good (VG): Records are playable but show visible wear and almost always have some surface noise. Dynamics should still be good despite surface noise. The cover appears worn and used, possibly with seam splits and ring wear. Some writing may be present, and it may look aged and yellowish due to air contaminants.
Good (G): Records look well-played, dull, and possibly abused but should still play. Expect distracting surface noise, such as continuous crackle or hiss. Loss of dynamics may be present due to groove wear. It should play without skips or obtrusively loud pops. The cover will have numerous issues, including seam splits (repaired with Scotch tape only), and may have writing in large letters. In essence, the cover may appear virtually trashed, but some artwork is still visible. If the artwork is worn, it's considered POOR, and the cover is worthless.
On a scale from 1 (Poor) to 10 (Perfect), the gradings equate to: Mint - 10, Near Mint - 8, Excellent - 7, Very Good Plus - 6, Very Good - 5, Good - 2.